|
|||||||
![]() |
|||||||
![]() ![]() |
|||||||
![]() |
|||||||
As a wise Italian once said, “old wine and friends get better with age”. We think the same can also be said for a lot of films. Or perhaps it is more accurate to compare out-of-date film to an aging member of the family, both get increasingly more unpredictable and have the tendency to go a bit nuts! We prefer to see all expired film gems as ‘vintages’ begging to be sampled. So we invite you to step inside our very own Film Cellar full of vintage emulsions just waiting to be uncorked. Prost! |
|||||||
![]() |
|||||||
![]() ![]() |
|||||||
Fuji Tungsten 64 120 A full-bodied blue blush is what you will get with the Tungsten. Designed to make the yellow light from the bulb appear white. During the day, its intense blue cast cancels the yellow, giving your shots the moody blues. Experiment with a yellow flash, and watch the subjects turn to white in the midst of a sea of blue. http://www.lomography.com/filmshop/fuji/t64_tungsten |
|||||||
![]() ![]() |
|||||||
Fuji Astia 100 120 Slide The Astia is real peach, and we’re not just talking about its gorgeous skin tones. This Medium Format film represents subtle, natural elegance in this crazy saturated world. Smooth, muted colours with low contrast and sharp resolution are the Astia’s calling card. Cross-process it though and you can still expect the full Fuji blue-green-red-cream treatment. http://www.lomography.com/filmshop/fuji/astia |
|||||||
![]() ![]() |
|||||||
Fuji Provia 100 120 & Fuji Provia 100 35mm When you don’t want to be slapped around the face with saturation, but equally don’t fancy the understatement of the Astia, this vintage is just the thing! The best of both worlds and does the fuji cross-processing thingy like a pro. http://www.lomography.com/filmshop/fuji/provia http://www.lomography.com/filmshop/fuji/provia-100 |
|||||||
![]() ![]() |
|||||||
Fuji Velvia 100 120 & Fuji Velvia 100 35mm The Velvia, the last and probably the loudest Fuji slide on the menu. It screams saturation and cockily demands your admiration even when normally processed. Cross-processing turns the crazy Fuji slide effect up a notch. http://www.lomography.com/filmshop/fuji/velvia http://www.lomography.com/filmshop/fuji/velvia-100 |
|||||||
![]() ![]() |
|||||||
![]() |
|||||||
|
|||||||
|
|||||||
|
|||||||
![]() ![]() |
|||||||
![]() |
|||||||
The pet-Love Film has grown into its own unique phenomenon. And the best thing about it is there are so many films to love! This time we are taking our hats off and acknowledging the greatest of rube, jeepeng, starsky and azurblue. | |||||||
![]() ![]() |
|||||||
|
|||||||
|
|||||||
![]() |
|||||||
![]() ![]() |
|||||||
![]() |
|||||||
In keeping with our vintage Fuji film we have a couple of expired slide treats from the LOMO cellar for your Fortnightly bargain. We are pleased to offer the master of saturation and contrast, the Fuji Velvia. | |||||||
|
|||||||
![]() |
|||||||
|
|||||||
![]() |
|||||||
![]() |
|||||||
Do not reply to this email! This email is being sent by an automated message system. Replies sent to news(at)thelomographer.com will not be received. To unsubscribe, please use the link provided in this newsletter. To contact us, send an e-mail to contact@lomography.com.
www.lomography.com/contact |